As part of Bank of Valletta鈥檚 50th Anniversary Celebrations, an art exhibition titled 鈥渋nwa魔魔du xbihat minn kullimkien鈥 was inaugurated at the Museum of Fine Arts in Valletta. The exhibition exhibits the Bank鈥檚 vast collection of modern and contemporary artworks.
The title 鈥渋nwa魔魔du xbihat minn kullimkien,鈥 is taken from Achille Mizzi鈥檚 poem 鈥淪korfon鈥 (Il-Kantiku tad-Demm), reflecting the vast collection of artwork on display, and drawing its imprint from the nature of the exhibits and the way the Bank鈥檚 collection of art evolved over the years.
Bank of Valletta鈥檚 collection is, by Maltese standards, a very large one, counting over 900 pieces. It is a collection that has evolved rather randomly, with works that were primarily meant to decorate reception areas, offices, and boardroom walls.
They largely date from the 1970's to the early 2000's and most works were purchased directly from the artists. In its vastness, the Bank of Valletta鈥檚 collection provides a snapshot of Maltese art, with works by both prominent and less prominent artists. The works reflect the realities of the Maltese art scene and understandably vary in style and significance. The collection is largely composed of landscape paintings and abstract works of small to medium size. They are mostly executed in traditional media, without breaking much into experimental forms.
During the selection process for 鈥渋nwa魔魔du xbihat minn kullimkien鈥, curator from the at the , identified and highlighted the work of the protagonists in a curated display that mirrors much of the artistic concerns and production of modern and contemporary art in Malta. In their attempt to embrace international references, the works on display dialogue, albeit sometimes hesitantly, with artistic realities primarily in England, Italy, and France, where several of these Maltese artists trained or studied.
Prof. Sciberras stated that 鈥渢he concept of the exhibition entitled flows through three main chapters, or rooms, set out in the Camerone of MUZA 鈥 the National Museum of Fine Arts, Valletta. They are respectively dedicated to works on paper (Karta / Paper), landscapes (Art / Earth), and abstract works (魔sieb / Mind). A smaller, but significant, room is dominated by one single, large figurative work by Anton Calleja. The exhibition also combines art and poetry in a dialogue that mirrors the 鈥榰t pictura poesis鈥 tradition, where poetry and painting engage in a dialogue or friendly 鈥榩aragon鈥. The poet of choice is Achille Mizzi, and extracts from his work, selected by Immanuel Mifsud, accompany the titles of exhibition rooms.鈥
Prof. Sciberras continues that the fifty-four works from 31 artists on exhibit display considerable visual coherence, but at the same time underline individual interests and idioms. The concerns here are mainly with aesthetics and rendering and notably do not engage in depth with commentary on political and social controversies and debates of that time. Colour, light, form, and expression unite (颈飞补魔魔诲耻) this exhibition. In many ways, this reflects the general character of Maltese modern art.
Whilst inaugurating the exhibition and also welcoming all those present, Dr Gordon Cordina, BOV鈥檚 Chairman, stated that the Bank has always been at the forefront in supporting the community at large and supporting the local art and culture scene. 鈥淭his is yet another event where the Bank is looking to the past but investing in the future, seeking to leave behind a better world for those who come after us. Curator Prof Keith Sciberras did a sterling job in identifying and highlighting the work of the protagonists in a curated display that mirrors much of the artistic concerns and production of modern and contemporary art in Malta.鈥
