Please use this identifier to cite or link to this item: /library/oar/handle/123456789/145408
Title: Ä¦³Ü»å³ó²¹&#³æ20;°Ú²Ñ³Ü±ô³Ù¾±³¾±ð»å¾±²¹&#³æ20;±ð³æ±è´Ç²õ¾±³Ù¾±´Ç²Ô±Õ
Authors: Galea, Matthew
Galea, Julia
Keywords: Art, Maltese -- 21st century -- Exhibitions
Installations (Art) -- Malta -- Valletta
Environmentalism in art
Ecology in art
Slow cinema
Issue Date: 2019
Publisher: Society for Artistic Research (SAR)
Citation: Galea, M., & Galea, J. (2019). Ħ³Ü»å³ó²¹&#³æ20;°Ú²Ñ³Ü±ô³Ù¾±³¾±ð»å¾±²¹&#³æ20;±ð³æ±è´Ç²õ¾±³Ù¾±´Ç²Ô±Õ, Research Catalogue. Retrieved from: https://www.researchcatalogue.net/view/4294966/4294967/0/0
Abstract: Ä¦³Ü»å³ó²¹&#³æ20;¾±²õ&#³æ20;²¹&#³æ20;³¦´Ç±ô±ô±ð³¦³Ù¾±±¹±ð&#³æ20;±è´Ç±è-³Ü±è&#³æ20;±ð³æ³ó¾±²ú¾±³Ù¾±´Ç²Ô&#³æ20;³ó´Ç²õ³Ù±ð»å&#³æ20;²¹³Ù&#³æ20;±á´Ç³Ù±ð±ô&#³æ20;³§±è±ô±ð²Ô»å¾±»å&#³æ20;´Ç²Ô&#³æ20;¹ó°ù¾±»å²¹²â&#³æ20;³Ù³ó±ð&#³æ20;13³Ù³ó&#³æ20;´Ç´Ú&#³æ20;³§±ð±è³Ù±ð³¾²ú±ð°ù&#³æ20;2019.&#³æ20;Ħ³Ü»å²¹&#³æ20;¾±²õ&#³æ20;³¦´Ç-³¦³Ü°ù²¹³Ù±ð»å&#³æ20;²ú²â&#³æ20;²Ñ²¹³Ù²â´Ç³Ü&#³æ20;³Ò²¹±ô±ð²¹&#³æ20;²¹²Ô»å&#³æ20;´³³Ü±ô¾±²¹&#³æ20;³Ò²¹±ô±ð²¹.°Õ³ó±ð&#³æ20;±ð³æ³ó¾±²ú¾±³Ù¾±´Ç²Ô&#³æ20;²ú°ù¾±²Ô²µ²õ&#³æ20;³Ù´Ç²µ±ð³Ù³ó±ð°ù&#³æ20;³Ù³ó¾±°ù³Ù±ð±ð²Ô&#³æ20;±¹¾±²õ³Ü²¹±ô&#³æ20;²¹°ù³Ù¾±²õ³Ù²õ:&#³æ20;²Ñ²¹³Ù³Ù³ó±ð·É&#³æ20;´¡³Ù³Ù²¹°ù»å;&#³æ20;´¡²¹°ù´Ç²Ô&#³æ20;µþ±ð³ú³ú¾±²Ô²¹;&#³æ20;´¡±ô±ð²õ²õ¾±´Ç&#³æ20;°ä³Ü²õ³¦³ó¾±±ð°ù¾±;&#³æ20;·¡³Ù¾±±ð²Ô²Ô±ð&#³æ20;¹ó²¹°ù°ù±ð±ô±ô;&#³æ20;°ä³ó²¹°ù±ô±ð²Ô±ð&#³æ20;³Ò²¹±ô±ð²¹;&#³æ20;±á²¹²Ô²Ô²¹³ó&#³æ20;³Ò²¹±ô±ð²¹;&#³æ20;´³³Ü±ô¾±²¹&#³æ20;³Ò²¹±ô±ð²¹;&#³æ20;²Ñ²¹³Ù²â´Ç³Ü&#³æ20;³Ò²¹±ô±ð²¹;&#³æ20;·¡³¾³¾²¹&#³æ20;³Ò°ù¾±³¾²¹;&#³æ20;³Û²¹²Ô&#³æ20;±Ê¾±°ù´Ç³Ù³Ù²¹;&#³æ20;±Ê¾±±ð°ù°ù±ð&#³æ20;±Ê´Ç°ù³Ù±ð±ô±ô¾±;&#³æ20;°Õ³ó´Ç³¾²¹²õ&#³æ20;³§³¦±ð°ù°ù¾±;&#³æ20;±õ²õ²¹²¹³¦&#³æ20;°Â²¹°ù°ù¾±²Ô²µ³Ù´Ç²Ô.
¸é²¹³Ù¾±´Ç²Ô²¹±ô±ð:&#³æ20;&#³æ0¶Ù;&#³æ0´¡;°Õ³ó±ð°ù±ð&#³æ20;¾±²õ&#³æ20;²Ô´Ç&#³æ20;°ù±ð²¹±ô&#³æ20;â€ÎвԻå±ð°ù²µ°ù´Ç³Ü²Ô»å&#³æ20;²¹°ù³Ù&#³æ20;²õ³¦±ð²Ô±ðâ€�&#³æ20;¾±²Ô&#³æ20;²Ñ²¹±ô³Ù²¹,&#³æ20;³Ù³ó¾±²õ&#³æ20;±ð³æ³ó¾±²ú¾±³Ù¾±´Ç²Ô&#³æ20;²õ¾±³¾³Ü±ô³Ù²¹²Ô±ð´Ç³Ü²õ±ô²â&#³æ20;³¦´Ç³¾³¾±ð²Ô³Ù²õ&#³æ20;²¹²Ô»å&#³æ20;»å´Ç±ð²õ&#³æ20;²õ´Ç³¾±ð³Ù³ó¾±²Ô²µ&#³æ20;²¹²ú´Ç³Ü³Ù&#³æ20;¾±³Ù.&#³æ20;±õ³Ù&#³æ20;·É²¹²õ&#³æ20;¾±³¾±è´Ç°ù³Ù²¹²Ô³Ù&#³æ20;³Ù³ó²¹³Ù&#³æ20;³¾´Ç&#³æ20;¾±²Ô²õ³Ù¾±³Ù³Ü³Ù¾±´Ç²Ô&#³æ20;´Ú³Ü²Ô»å±ð»å,&#³æ20;²ú²¹³¦°ì±ð»å&#³æ20;´Ç°ù&#³æ20;±ð²Ô»å´Ç°ù²õ±ð»å&#³æ20;³Ù³ó¾±²õ&#³æ20;²¹²Ô»å&#³æ20;³Ù³ó²¹³Ù&#³æ20;³Ù³ó¾±²õ&#³æ20;·É²¹²õ&#³æ20;²õ´Ç±ô±ð±ô²â&#³æ20;²¹²Ô&#³æ20;²¹°ù³Ù¾±²õ³Ù&#³æ20;²ú²¹²õ±ð»å&#³æ20;¾±²Ô¾±³Ù¾±²¹³Ù¾±±¹±ð.&#³æ20;°Õ³ó±ð&#³æ20;²¹±è±è°ù´Ç²¹³¦³ó&#³æ20;´Ç°ù&#³æ20;³Ù³ó±ð&#³æ20;±è¾±³Ù³¦³ó&#³æ20;³Ù´Ç&#³æ20;³Ù³ó±ð&#³æ20;²¹°ù³Ù¾±²õ³Ù²õ&#³æ20;·É²¹²õ&#³æ20;²¹°ù±ð&#³æ20;²â´Ç³Ü&#³æ20;¾±²Ô?&#³æ20;´¡²Ô»å&#³æ20;¾±´Ú&#³æ20;²â±ð²õ&#³æ20;²ú°ù¾±²Ô²µ&#³æ20;²¹&#³æ20;´Ú°ù¾±±ð²Ô»å.&#³æ20;°Õ³ó¾±²õ&#³æ20;²¹±ô±ô´Ç·É±ð»å&#³æ20;²¹±ô²õ´Ç&#³æ20;³Ù³ó±ð&#³æ20;²Ô´Ç³Ù¾±´Ç²Ô&#³æ20;´Ç´Ú&#³æ20;±ð²õ³Ù²¹²ú±ô¾±²õ³ó±ð»å&#³æ20;²¹°ù³Ù¾±²õ³Ù²õ&#³æ20;²¹²Ô»å&#³æ20;±ð³¾±ð°ù²µ¾±²Ô²µ&#³æ20;²¹°ù³Ù¾±²õ³Ù²õ&#³æ20;³Ù´Ç&#³æ20;³¾¾±²Ô²µ±ô±ð&#³æ20;³Ù´Ç²µ±ð³Ù³ó±ð°ù.
The theme was loosely ecological in nature. Each artist reacted freely to the theme. There was no imposed curatorial vision, though there was a notion of peer to peer discussion for those that sought it. Pop up shows are an interesting counterbalance to funded and institutionally supported shows. Both have a very important role to play. The role of the pop up is to act fast and decisively, to comment on societal issues on time and where it matters. These shows are not bound by waiting lists, funding rosters, financial year arcs, fabrication and lead times. The project from initial conception to dismantling took place in under a month and most of the artists created work specifically for the exhibition.
URI: https://www.um.edu.mt/library/oar/handle/123456789/145408
Appears in Collections:Scholarly Works - FacMKSDA

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