| Issue Date | Title | Author(s) |
| 2024 | ´¡²Ô»å°ù鳿20;´³´Ç±ô¾±±¹±ð³Ù’s³æ20;‘C¾±²Ô±ç³æ20;¾±²Ô³¦²¹²Ô³Ù²¹³Ù¾±´Ç²Ô²õ’³æ20;²¹²Ô»å³æ20;‘C³ó²¹²Ô³Ù³æ20;»å±ð³æ20;³¢¾±²Ô´Ç²õ’³æ20;:³æ20;²¹²Ô²¹±ô²â²õ¾±²õ,³æ20;³ó¾±²õ³Ù´Ç°ù¾±³¦²¹±ô³æ20;³¦´Ç²Ô³Ù±ð³æ³Ù³æ20;²¹²Ô»å³æ20;±è±ð°ù´Ú´Ç°ù³¾²¹²Ô³¦±ð | Galea, Clara (2024) |
| 2024 | A multidisciplinary compositional approach for clarinet and saxophone | Vella, Luke (2024) |
| 2024 | Exploring the role of the wrist in Viennese piano technique | Refalo, Marija (2024) |
| 2024 | Jazz in 1950s Strait Street : history, repertoire, and legacy | Ellul Bonici, Louise (2024) |
| 2024 | Preparatory exercises for the voice : constructing a versatile toolbox for soprano | Borg, Mariette (2024) |
| 2024 | ´¡³¦³Ù¾±²Ô²µ³æ20;³Ù³ó±ð³æ20;²õ´Ç²Ô²µ³æ20;:³æ20;¾±²Ô³Ù±ð²µ°ù²¹³Ù¾±²Ô²µ³æ20;³§³Ù²¹²Ô¾±²õ±ô²¹±¹²õ°ì²â’s³æ20;³Ù±ð³¦³ó²Ô¾±±ç³Ü±ð²õ³æ20;²¹²Ô»å³æ20;³Ù³ó±ð³æ20;±ð²õ³Ù¾±±ô±ô³æ20;³¾±ð³Ù³ó´Ç»å³æ20;¾±²Ô³Ù´Ç³æ20;³¾³Ü²õ¾±³¦²¹±ô³æ20;³Ù³ó±ð²¹³Ù°ù±ð³æ20;³Ù°ù²¹¾±²Ô¾±²Ô²µ | Galea, Michela (2024) |
| 2024 | ³¢±ð²µ²¹³¦¾±±ð²õ³æ20;²¹²Ô»å³æ20;³¦°ù¾±²õ¾±²õ³æ20;´Ç´Ú³æ20;³¾³Ü²õ¾±³¦²¹±ô³æ20;³ó¾±²õ³Ù´Ç°ù¾±³¦¾±²õ³¾³æ20;¾±²Ô³æ20;°Õ³ó´Ç³¾²¹²õ³æ20;²Ñ²¹²Ô²Ô’s³æ20;¶Ù´Ç³¦³Ù´Ç°ù³æ20;¹ó²¹³Ü²õ³Ù³Ü²õ | Jatosti, Alice (2024) |
| 2024 | Grease : a case study of the cinematic influence on the staging of musical theatre | Grech, Jeremy Paul (2024) |
| 2024 | National identity in Maltese popular songs of the 1970s | Caruana, Megan May (2024) |
| 2024 | The technique of piano touch : exploring how piano players adjust their touch on various types of pianos | Buttigieg, Steve (2024) |
| 2024 | The various schools of clarinet playing from the romantic period to the present | Schembri, Michela (2024) |
| 2024 | Word painting and balance in choral ensembles | Shorthose, Jack Michael Hammer (2024) |
| 2024 | Eternal echoes : exploring the role of music in horror video games | Cassar, Jean-Paul (2024) |
| 2024 | Theatrical practices to elicit political conversation : a comparative study of the techniques of Sophocles and Brecht | Mangani, Martha Maria (2024) |
| 2024 | ´¡³¦³Ù´Ç°ù³æ20;³Ù°ù²¹¾±²Ô¾±²Ô²µ³æ20;²ú²¹²õ±ð»å³æ20;´Ç²Ô³æ20;°ä´Ç±è±ð²¹³Ü’s³æ20;·É´Ç°ù°ì | Szyszka, Dominika (2024) |
| 2024 | The Dublin Gate Theatre Company in the Royal Opera House, Valletta : navigating politics, media and entertainment | Manicolo, Jalen (2024) |
| 2024 | ±Ê°ù±ð²õ±ð²Ô³¦±ð³æ20;²¹²õ³æ20;±è±ð°ù´Ú´Ç°ù³¾²¹²Ô³¦±ð³æ20;:³æ20;±ð³æ±è±ô´Ç°ù¾±²Ô²µ³æ20;±Ê²¹³Ù²õ²â³æ20;¸é´Ç»å±ð²Ô²ú³Ü°ù²µâ€™s³æ20;³¾±ð³Ù³ó´Ç»å³æ20;´Ú´Ç°ù³æ20;²¹³¦³Ù´Ç°ù²õ | Cassar, Emma Charlene (2024) |
| 2024 | Maltese drummer and percussionist George Caruana (aka Tony Carr) : career, musical styles, and adaptability | Camilleri, Joseph (2024) |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 18 of 18