/library/oar/handle/123456789/15206 2026-08-04T07:29:48Z 2026-08-04T07:29:48Z Berry, John Anthony /library/oar/handle/123456789/15340 2017-09-05T09:45:45Z 2015-01-01T00:00:00Z

Title: Book review : Diarmuid O’Murchu, The meaning and practice of faith Authors: Berry, John Anthony Abstract: Book review for "The Meaning and Practice of Faith" by Diarmuid O’Murchu. This book is a resource that will enable people to discern more deeply what they are experiencing and to develop a vocabulary to articulate their inner processes.

2015-01-01T00:00:00Z Berry, John Anthony /library/oar/handle/123456789/15339 2017-09-05T09:46:16Z 2015-01-01T00:00:00Z

Title: Book review : Patrick F. O’Connell (ed.), Thomas Merton : selected essays Authors: Berry, John Anthony Abstract: Book review of the publication entitled " Thomas Merton: Selected Essays" by Patrick O'Connell. This work, edited and introduced by Patrick F. O’Connell, professor in the Department of English and Theology at Gannon University, Erie, Pennsylvania, emerges as a comprehensive anthology complementary to th e Thomas Merton Encyclopedia which he co-authored and which was published in 2006.

2015-01-01T00:00:00Z Berry, John Anthony /library/oar/handle/123456789/15338 2017-09-05T09:44:47Z 2015-01-01T00:00:00Z

Title: Book review : Brendan Leahy, going to god together Authors: Berry, John Anthony Abstract: Book review about Bishop Brendan Leahy's book titled Going to God Together. Leahy speaks incessantly to the heart of whoever intends to join him and embark on this journey towards the transcendent.

2015-01-01T00:00:00Z Vella Rago, Manuel /library/oar/handle/123456789/15333 2017-01-13T02:21:12Z 2015-01-01T00:00:00Z

Title: Marcel Duchamp, art and the ethical signifi cance of a renewed relationship with the object Authors: Vella Rago, Manuel Abstract: In this paper I shall show that the artworks of Marcel Duchamp (1887-1968) harbour as yet unheeded ontological and ethical implications. I shall do this through an investigation of Duchamp’s readymades and his writings on “indifference,” as well as Duchamp’s most complex work, The Large Glass. I shall show that Duchamp’s works accomplish a recalibration of the work-spectator relationship through which modern art reclaims and proclaims the object’s inherent rights to self-manifestation and self-affirmation. I conclude by showing that the challenge posed by Duchamp’s art does not pertain to art alone, but calls for a genuine renewal of our ethical relationship with the other generally.

2015-01-01T00:00:00Z